Homer's Odyssey 1.213-29
Syllables in bold are dynamically prominent according to the new theory of the ancient Greek pitch accent. Digammas occasionally obtrude:
Samuel Butler’s translation with certain names Hellenised:
“My mother," answered Telemachus, tells me I am son to Odysseus, but
it is a wise child that knows his own father. Would that I were son
to one who had grown old upon his own estates, for, since you ask
me, there is no more ill-starred man under heaven than he who they
tell me is my father."
And Athena said, "There is no fear of your race dying out yet, while
Penelope has such a fine son as you are. But tell me, and tell me
true, what is the meaning of all this feasting, and who are these
people? What is it all about? Have you some banquet, or is there a
wedding in the family—for no one seems to be bringing any provisions
of his own? And the guests—how atrociously they are behaving; what
riot they make over the whole house; it is enough to disgust any respectable
person who comes near them.”
Greek text hyperlinked to lexica via Perseus (perseus.tufts.edu):
τὴν δ᾽ αὖ Τηλέμαχος πεπνυμένος ἀντίον ηὔδα:
‘τοιγὰρ ἐγώ τοι, ξεῖνε, μάλ᾽ ἀτρεκέως ἀγορεύσω.
μήτηρ μέν τέ μέ φησι τοῦ ἔμμεναι, αὐτὰρ ἐγώ γε
οὐκ οἶδ᾽: οὐ γάρ πώ τις ἑὸν γόνον αὐτὸς ἀνέγνω.
ὡς δὴ ἐγώ γ᾽ ὄφελον μάκαρός νύ τευ ἔμμεναι υἱὸς
ἀνέρος, ὃν κτεάτεσσιν ἑοῖς ἔπι γῆρας ἔτετμε.
νῦν δ᾽ ὃς ἀποτμότατος γένετο θνητῶν ἀνθρώπων,
τοῦ μ᾽ ἔκ φασι γενέσθαι, ἐπεὶ σύ με τοῦτ᾽ ἐρεείνεις.’
τὸν δ᾽ αὖτε προσέειπε θεά, γλαυκῶπις Ἀθήνη:
‘οὐ μέν τοι γενεήν γε θεοὶ νώνυμνον ὀπίσσω
θῆκαν, ἐπεὶ σέ γε τοῖον ἐγείνατο Πηνελόπεια.
ἀλλ᾽ ἄγε μοι τόδε εἰπὲ καὶ ἀτρεκέως κατάλεξον:
τίς δαίς, τίς δὲ ὅμιλος ὅδ᾽ ἔπλετο; τίπτε δέ σε χρεώ;
εἰλαπίνη ἠὲ γάμος; ἐπεὶ οὐκ ἔρανος τάδε γ᾽ ἐστίν:
ὥς τέ μοι ὑβρίζοντες ὑπερφιάλως δοκέουσι